Posts Tagged ‘Ray Harryhausen’

Every Ray Harryhausen Stop-Motion Monster EVAR

Wednesday, June 29th, 2011

Found this on BoingBoing – it is chock full of awesomesauce. I grew up on the films of Ray Harryhausen and worked with my friend Bryan in his mother’s garage (and in the back room of our art teacher, Paul Jones) to make our own dubious works of art. Like so many before and after me, a large part of my aesthetic has been informed, coloured and directed by Harryhausen’s films.

Can you name them all? I can. Along with the cast, the crews and an endless litany of minutia. I’ve watched them at 3 in the morning on a small screen black and white TV with shabby reception from Barrie – I’ve luxuriated in theatres as their light has basked me with its Dynamation goodness – and I own several copies of each on various media (including some on flip books for cryin’ out loud) – and I never tire of tasting with all my senses the works of Mr. Harryhausen.

My Missus, through her work with Cuppa Coffee Animation, had the opportunity to sculpt a stop-motion figure of Harryhausen himself which was presented to him when he came to Toronto to promote his book and gave a talk. I had the chance to meet him then – but stayed at the back of the room – nervous and fearful for I do not know what – but happy to just be where I was, always was, in the dim shadows observing the show before me.

Thank you, Ray.

Cheers.

P. S. You can find our Ruffus The Dog homage to Ray Harryhausen in the Sinbad episodes here and here. Enjoy!

The Story Of Stop Motion Animation

Wednesday, November 10th, 2010

When I was a kid – the age of my son, actually – I and my best friend Bryan would make elaborate stop-motion animated films on Super 8 film in his mother’s garage and later in the back room office of our art teacher, Paul Jones. Massively elaborate productions – none of which, alas, have survived.

We were addicted to everything and anything related to stop motion, most notably the works of Willis O’Brien and Ray Harryhausen but also Georges Melies, George Pal, Norman MacLaren and others. Each new issue of Forrest J. Ackerman’s Famous Monsters Of Filmland would be devoured for any clues as to technique and process which would then studiously attempt to emulate with our feeble collection of tools.

All of this was long before I became a performer in theatre, television and film and a great many decades prior to being able to once again hold the reigns of my own productions (albeit in larger studios than Mrs. McCormick’s garage) and manipulate small figures to do my bidding and tell nifty stories.

What goes around comes around, I guess.

My wife, who is a puppeteer but also an artist, designer and animator, is currently doing a lot of work for a prominent stop-motion animation company here in Toronto. She sculpted a caricature animation figure of Harryhausen that was given to him as a gift when he visited town promoting his book. I was there but too shy to thank him for my life.

All of my studies and work have in one way or another always been linked or related to this form; from mime, commedia del arté, clowning, acrobatics, dance, puppetry, special visual effects design, CG animation, script writing, directing, you name it – all except being a plongeur at the Gavroche Gourmand or cooking burgers at the Brunswick House – all these varied gigs were all connected with the means to tell stories through the visual and physical actions of characters.

Today, over at Flavorwire, I stumbled across Chloe Fleury‘s marvellous animated short which conveys the history and attendant magic of the art of stop-motion animation. It is very sweet.

Enjoy.

My own last effort at true stop-motion was this brief intro I submitted for Ze Frank’s The Show:

I love stop-motion.

Cheers.

Sharktopus

Monday, July 26th, 2010

As the blog headline suggests – this is about Sharktopus, the latest release from Roger Corman. The trailer is fucking awesome. It’s like: Beach Blanket Bingo meets Jaws meets It Came From Beneath the Sea meets Eric Roberts and then skull fucks the entire audience.

For a sequel maybe Shaktopus can devour all the spilled oil in the gulf – and the entire BP corporation – and then swim off into the sunset until he/she is needed again. Just like a reformed Godzilla helping to repair post-war Japan’s fractured sense of identity. That would mean Corman’s gonna need a couple of really tiny twins to narrate this shit. How’s he gonna afford that?

God – show business can be SO complex.

Cheers.

P.S. I just remembered – Corman simply doesn’t afford this shit. I can hear the production meeting now:

“CG? Midgets? Screw that! Hire Mary-Kate and Ashley for an hour, we’ll put the camera on a ladder so they look short, just have ‘em wobble their mouths around for a while and we’ll dub in whatever chipmunk-voiced crap we want to. What are sitting there for? GO!”

100 Years Of Cinema FX In 5 Minutes

Friday, August 28th, 2009

The industry of cinema may be dying or reinventing itself but the Art of cinema will live on. One of the great things about the movies was not the recreation of reality but the creation of non-reality.

There’s a great book called The Invisible Art: The Legends of Movie Matte Painting which shows brilliantly how much of what we took for granted as being real in cinema was actually images painted by hand.

The techniques of manipulating light to create moving images is centuries old and has been absorbed into our psyche, our culture and our day-to-day vocabulary to such a degree we are no longer the same kind of human beings which existed before the dawn of cinema. I won’t get into arguments as to whether that’s good or bad – it just is.

Newer technologies are calling to us now and changing us further. It always helps to take a look back now and then to remind ourselves where we came from and how far we’ve travelled on this journey of augmented evolution. And it’s fun too!

I found this over at Gizmodo. It’s 100 years of visual effects crammed into 5 minutes.

If you have any others to add go to the Gizmodo post and offer your comments – they’ve allowed for posting of video snips too.

Enjoy your day.

Cheers.