Posts Tagged ‘puppets’

Ruffus The Dog UStream Marathon

Friday, November 19th, 2010

The Flying Spaghetti Monster in “A Christmas Carol”? Hell yes! Read on!

As we continue our pre-production efforts on Ruffus The Dog’s A Christmas Carol you can watch streaming episodes of Ruffus The Dog – along with numerous shameless plugs asking for funding contributions – on the Ruffus UStream.TV Channel.

Or you can watch it right here:

Why am I doing this?

It’s coming down to the wire for raising funds to make our version of Charles Dickens’ “A Christmas Carol” and the shoot is just a little over a week away.

Ahhhhhhh!!!!!!

Relax. Breathe in – breathe out – repeat if necessary.

It’s all good.

I’ve already posted about our funding efforts – you can find some of them here and here and here.

We don’t have nearly as much money as we intended to have in order to pull this off – but that’s not going to stop us. The production is going ahead as planned. If you – or anyone you know – can help by contributing even a few dollars via IndieGoGo it will go a long way to helping make this exercise in creative insanity just a little less impossible than it already is.

I may make it sound like our efforts to release this production of “A Christmas Carol” online by December 21st are nothing more than a folly doomed to failure – but actually I’m delighted with what we’ve been able to achieve in such a short time with so few resources. This is going to be an amazing show. It would not have been possible without the dedication and determination of the talented team who have come together to help make this happen.

You can help too. Visit http://www.indiegogo.com/ruffus-the-dog and tell others to do the same. We’re counting on you to help get us across the finish line with enough in hand to make this journey work.

Now, if you’ll excuse me, I have to go finish my storyboards, render more CG virtual sets and make a Flying Spaghetti Monster – you know – for kids.

Here it is as a work in progress:

FSM

Enjoy the shows. Thanks for your support.

Cheers.

A Message From The Producer

Wednesday, November 17th, 2010

Today I posted this short video as part of our last efforts to raise productions funds through IndieGoGo for “Ruffus The Dog’s A Christmas Carol”.

The process of using IndieGoGo has been interesting and I’m pretty sure it will prove to be useful for other projects we come up with in the future. Our initial goal was for $8,500 which was a painfully low amount considering how ambitious this production has become. With only 5 days left to our IndieGoGo deadline we have only managed to secure about 20% of our goal – but we’re forging ahead with production regardless.

I’m sure I could have done a better or more aggressive job of promoting our efforts to raise funds but all excuses and caveats aside – I’m a puppeteer, dammit! We did manage to get a very nice mention in BoingBoing which helped draw a lot of attention to all this nonsense we’re up to.

Luckily, I’ve been blessed with a team of friends and colleagues who are both dedicated and talented. Their generous contribution of time and skill will be what makes our version of “A Christmas Carol” really shine.

Our shoot days are coming up fast and I’m looking forward to the four days of hilarity and hard work that lie in store for all of us.

The miraculous Jane Edmondson, assisted by Tatiana Hernandez-Deutsch, has been creating wonderful miniature ealry Victorian wardrobe for our cast of puppet characters. And our designer, Karen Valleau is crafting new puppet characters and just finished an exquisite snowglobe with St. Paul’s Cathedral inside.

Earlier this evening I had a Skype call with our composer, JP Houston – he’s currently in L.A. recording and rehearsing for a European band tour – and he’s been sending me demo tracks of the songs for this production and they are frickin’ awesome. Unfortunately he won’t be able to come to Toronto for the song recording sessions so we’ve been organizing a back-and-forth effort with him sending tracks here – we record the vocals and send them back – and so on and so forth until my brain melts out my ass.

It’s all fun and games until someone’s brain melts out their ass.

And for those who know me well – today I found myself alone in the kitchen making production sketches – and involuntarily let loose with one of those maniacal laughs.

Felt good.

Please, do what you can to help us out – or at least encourage others to help – every little bit is greatly needed and appreciated. The finished show WILL released online on December 21st. So there.

Here’s the original IndieGoGo pitch video:

And here, of course, is the widget that leads you to our IndieGoGo pages:

Now, if you’ll excuse me, I have to go edit some footage of Sinbad the Sailor and these two pigs, Ray & Harry, the Hausen brothers.

Cheers.

The Troll Under The Bridge – Ruffus The Dog

Wednesday, November 3rd, 2010

This is our version of the classic fairy tale “The Troll Under The Bridge.

I wrote this in response to a lot of social justice issues that were bouncing around our city that year – none of which, alas, have been resolved to anyone’s satisfaction or needs – and was also inspired by my readings of (and brief correspondence with) Prof. Jack Zipes.

This story seemed to be a good mix between a classic folktale that advised for and supported a local xenophobia to ensure the safety of townsfolk when confronted by unknown individuals who seemed all too ready to prey on the unsuspecting – and some of the uncomfortable realities we seem to have trouble addressing in our current day to day lives.

It’s too easy to continue to prey and profit upon the blind fears of the unknown – and far more difficult to explain the community and individual need for compassion and necessity of learning what (or whom) something (or someone) actually is before passing judgement.

Heady stuff, perhaps, for a kids puppet show.

But I figured if you’re going to tell a well worn tale you might as well wear those tattered shoes upon a path less trodden and, in doing so, perchance take your audience to a place they might not have otherwise found.

This is especially true with young audiences. Present them with classic literature, iconic stories, archetypal characters, and then put those stories and characters in the context of the world(s) our young audiences inhabit today – the impact will (hopefully) be more meaningful, long-lasting and most certainly resonate more deeply throughout the rest of their lives as they grow up and away from kids puppet shows and begin their own walk upon the paths offered to them by the so-called real world we all must eventually, inevitably and inexorably inhabit.

It’s all about context.

Don’t worry kids. It’s just a puppet show.

And yes – there are monsters in the real world. They do prey upon you. You must beware them – and know them for who they really are. But know them truly – and don’t be afraid to look closer – and don’t be afraid to ask questions. Sometimes those who cry wolf or demand the destruction of a monster – are monsters themselves.

So there.

Cheers.

P. S. Apologies for the opening ad in the video. If it’s irritating and you hate it – say so in the comments and I’ll drop it like my trousers at a – uh – nevermind. Just leave a comment.

P. P. S. If you – or anyone you know – want to see more tales like this please visit our IndieGoGo site where we’re trying to raise enough funds to make our own version of Charles Dickens “A Christmas Carol”. Many thanks. Tell your friends.

Here’s the widget:

UPDATE: Cory Doctorow very kindly gave us a mention over at BoingBoing with a nice snippet from this post, an embed of the Troll video and the info on our efforts to raise funding for our Ruffus version of “The Christmas Carol”. Thanks, Cory!

Ruffus The Dog “Christmas Carol” Update

Monday, November 1st, 2010

Hey there!

I haven’t posted a lot here lately because I’ve been allegedly busy writing the script for the Ruffus The Dog version of “A Christmas Carol”. It was a bitch to finish partly because I’m lazy slob and also because I ignored the advice contained in my own notes and found myself in the trap of trying to remain true to Dicken’s original text.

What was I thinking?

In the original Ruffus episodes we tackled a lot of different kinds of stories, including Dr. Jeykll & Mr. Hyde, Around The World In 80 Days and The Three Musketeers as well as more common fairy tales like The Emperor’s New Clothes, Tom Thumb and The Three Bears. Rarely, if ever, did we ever use any of the original text from those stories. Sometimes we would crib a line or two from a famous movie version – more often we’d stick in some cheesy vaudville gags – but we always managed to find a way to adhere to the spirit of the stories without letting ourselves get distanced from the unique world we had created for Ruffus The Dog.

I watched every film version of “A Christmas Carol” I could find and while I wanted to emulate the Alistair Sim version, entitled “Scrooge”, because it’s my absolute favourite – I knew I couldn’t just go ahead and copy it for both artistic and legal reasons. The words of Charles Dickens in that slender volume of a holiday ghost story are SO tight and nuanced – as opposed to his usually penny-a-word serialized novel ramblings – that it became even more difficult for me to cut the tale down to the bone and still leave enough room for our deliberately stupid puppet gags. At one point I had a draft that was 113 pages – that’s a fucking feature film!

Knowing we can’t do a feature for $8,500 + a pantload of goodwill meant I had to stop wasting valuable time, drag my head out of my sorry arse and get down to business. Hack. Slash. Cut. Revise. Rearrange. Be more inclusive of other faiths. Leave room for the Pig and the Monkey and the Sheep – and find the best places to use JP Houston’s wonderful songs.

Last night – after a day of intense last-minute effort (combined with an interlude for putting zombie makeup on my son) – I finally had a working draft that we can use as the basis for our production.

Look!  Words on paper! Wheeee!

I credit Richard Williams for his half-hour animated version (which also starred Sims as the voice of Scrooge) for leading the way. While I didn’t copy his structure entirely – partly because it was a tad too abbreviated – it certainly showed me what could be safely excised and still leave the heart of the story intact — with room to spare for pigs, sheep and monkeys.

So it is written – so let it be done.

It ain’t Shakespeare. It ain’t Dickens. It’s Ruffus The Dog – and that’s what we wanted.

Now – on with the task of raising the rest of the cash and getting the team organized to meet our proposed shoot dates for the last week of November. Wait a minute – today is November 1st?

fuck

P. S. You can help contribute (if you haven’t already) by visiting our IndieGoGo web pages where we are crowd-sourcing our funding for this episode of Ruffus. Word-of-mouth is as valuable as cash – please tell everyone you know. Thanks!

Happy Birthday Dizzy Gillespie

Thursday, October 21st, 2010

My friend and sensei, Jerry Nelson, informed me that Google was celebrating the 93rd birthday of the late Dizzy Gillespie. I’ve always loved this man’s music and it has filled our house and our lives for many years. I used to hum “A Night In Tunisia” to my son when he was a mere babe in our arms.

Here’s Jerry, as Floyd, gettin’ his Bop on with the Diz:

Happy Birthday, Mr. Gillespie.

Cheers

Ruffus The Dog – A Christmas Carol

Thursday, October 14th, 2010

If you go to www.indiegogo.com/Ruffus-The-Dog you will find a page seeking to raise money for the production of entirely new episode of Ruffus The Dog – our own version of “A Christmas Carol”.

Here’s the pitch video:

We’re seeking a ridiculously low amount for such an ambitious production but we’re also confident in the abilities of our team to pull it off. Where that leads to with other episodes and other things featuring Ruffus – I have no idea. Plenty of dreams – but not a clue as to what will actually happen.

Making the video was – um – interesting. I did everything myself and now find myself looking forward to working with my friends. Playing all the characters was fun but I didn’t like being the Princess – I’ve always been a firm believer that female roles should be played by women.

While I did write a script that laid out the necessary call to arms for funding that we needed, most of the dialogue from the Pig and the Weasel was improvised. As often happens when playing with puppets, sometimes the character just asserts itself and takes over. There is a lot of weasel footage that just couldn’t be used but left me weeping with laughter. It’s usually not good to laugh at your own follies but when it’s distanced through a character at the end of your arm I think it’s allowed.

Just a little technical info on how I put this thing together: it was shot in my home, straight onto my laptop, very much in the manner of the other Ruffus promos I’ve written about before. This time, though, there were 7 characters – and a Delorean – and a disco ball. I had 15 separate video tracks to composite and 10 stereo audio tracks to mix. Everything was done in Final Cut Pro.

My laptop – which is already a beaten up piece of overheated shit – was just barely up the task as it doggedly chugged along, trying to comprehend and provide all the effects I sought.

It didn’t help that my trackpad was fucking up and making its own decisions on where to go and what to click. I very nearly lost a bunch of files because of that and I suspect that’s what caused the loss of a previous shoot of mine. It was only after I finished the edit of this video that I discovered my battery on the MacBook Pro was swollen and bulging out from the bottom of the case and on the inside was putting pressure on the trackpad, causing my poor dedicated little piece of shit to lose its mind like some syphilitic blind beggar wandering through a godforsaken mad house.

But it is done. It is not perfect – but it IS done.

I exhort you to visit the Indie Go-Go site and have a look at our pitch page. There will be regular updates of photos and videos, documenting the progress of the entire enterprise. It will be fun.

Even if you can’t contribute financial support you can certainly help us out by making as much noise about it as you can. Tell your friends. Grab a widget and park it on your own web pages. Tweet about it. Helping to direct people to the site is an equally important expression of support that will help us to get the show made.

And your comments here are also welcome.

Stay tuned.

Cheers.

Best Laid Plans And All That Crap

Thursday, September 30th, 2010

I’ve been trying to get a bunch of things done these past couple of weeks – one of which is a project we want to launch on the crowdfunding site Indie Go-Go. The launch should have been last week and then was postponed to tomorrow. While I’m still going to give meeting that deadline the ol’ college try you’ll all have to remember – I didn’t finish college.

But I am gonna finish this, dammit. I just need to catch a couple of more shots and then finish the edit. Piece of cake. Yeah right. Famous last words.

To give you some idea of the nonsense I’ve gotten myself into here’s a glimpse at the script and my usual thumbnail scribbles for storyboards. I use these to keep track of the multiple elements that have to come together within any given shot and it serves me well in the edit too.

storyboard thumbnails

When we were shooting the Ruffus television series I’d often make up these thumbnail sketches on the studio floor – between shots. What a dickead! Shot list? What the fuck is that?

An average moment during the shoot went something like this: “Stand over there and pretend you’re looking at a door. Perfect. Roll tape. Cut. That’s a keeper. Moving on. What? Whaddaya mean: What just happened? Keep up for fuck’s sake. Next set up!”

It was actually a little more organized than that – but not much – and certainly not by me.

This Indie Go-Go pitch is the last of these multi-role videos I’ll be making for a while. It hurts my brain – and my arm. I’m getting old. Next time will involve a lot more people – and a lot more talent.

Hopefully it will all be done before the end of tomorrow.

We shall see.

Cheers.

Making Another Ruffus Promo

Saturday, September 11th, 2010

A little while back I posted about Making A Ruffus Promo where I described a little bit of the antics involved in shooting and editing a short promotional video to announce new episodes released on the Ruffus The Dog web site.

Well – I did another one:

This time it involves 3 characters and so was, naturally, just a tad more time consuming to make than the previous one. But not because there was an extra character.

The excess production time was caused by me fucking up.

I thought I was being clever in this little exercise of quick and dirty shooting – set it up, knock it in the can, cut the fucker together and throw it out on to the interwebs. Ta-dah! Piece of cake. Yeah – right.

My son helped me with the shoot – operating camera and performing the right hand of the pig character. Took us less than an hour to get all the shots we needed. It was fun – even though we shot the scenes on one of the hottest days of the year and my sweat was dripping on the computer keyboard the whole time.

My sweat wasn’t the problem. It’s because I’m an overly confident lazy bastard that caused the problems. I have old hard drives – they need to be updated – yeah, yeah, sure, someday maybe. I back things up – sometimes – when I get around to it – maybe later when I’m not so busy – just let me get this one thing done first.

You get the picture.

Nothing too complicated.

Nothing too complicated – and it only took me 2 hours to cut and composite the whole thing.

That’s when I noticed we missed a line and had to set up all the lights and camera and shit – again – to get this one integral little fucking line from the pig. Geez.

No worries. Shit happens. Got the shot. Imported it into the edit. I’m feeling pretty cocky at this point. In a couple of hours the render will be finished and I’ll post this puppy and gloat it about it on Twitter and Facebook. I am too cool for school.

I got all the way to the end of the final edit on this shit and was just going to do one last pass to tweak the audio a bit when suddenly Final Cut Pro started telling me I had files that were off-line. That’s how FCP describes something important that just isn’t fucking there anymore. Off-Line.

What?! How is this possible?! Of course the files are there. I put them there. Right there – there – where there is now n-o-t-h-i-n-g.

The screams were heard all through Parkdale – and across the Twitterverse – that night.

Where did they go? I have no fucking idea. For all I know they just floated away with all the sunshine I’d been blowing up my own ass.

I proceeded to spend over 12 hours attempting to recover the files – even tempting the fates by going into the Terminal in a desperate bid to reconstruct the files via command line. Eventually I had to admit defeat and a few days later – this time without the help of my son who had returned to school – re-shot the entire thing.

This time I backed up the files. This time I saved everything – twice – and on different drives. This time I did it right. And it worked – sort of. It doesn’t possess the verve of the first shoot and the edit isn’t as finessed as the first one, largely because I was bored and pissed off with myself for wasting so much fucking time.

But I wasn’t just going to give up and do something else. Oh no. To me it was more important to actually get the thing done. It’s all part of a larger plan of mine that involves certain guerilla production techniques that (often) fly in the face of common sense. Backing Shit Up is now part of the plan.

Something else I did this time around was actually script the whole thing. I mean properly script it. I write scripts all the time for our shows but usually when I’m shooting something small like this I’ll just scribble down some notes and then wing it. It’s fun – what the hell.

This time I wrote it all down – just like a real shoot.

Script - Page One

Script - Page Two

Script - Page Three

Script - Page Four

If you’re into that sort of thing you can download a PDF of the script. It’s not terribly clever – it’s just an exercise in production technique and an attempt to keep some original content flowing through the web site to maintain traffic.

The script is 4 pages for 2 minutes of screen time. There are some producers and broadcasters who live and die by page counts, refusing to even read scripts that defy their ironclad belief system in how long a script must be. Those people are pinheads. The running time of a script is based on how it plays. The little numbers in the corners of the paper don’t mean shit.

You’ll notice I wrote out each and every shot as it appears – with the exception of a couple because I fucked up the timing with the different characters speaking and had to fudge the edit to make it work – c’est la vie. When making the original Ruffus episodes – and for most of the shows I’ve produced and directed – I’ve always done this. It makes sense not to include all that kind of specific production detail when you’re just a writer-for-hire or trying to sell something on spec – then it makes sense to leave things open for readability and to let the other collaborators contribute their own vision to the process of crafting the finished story.

So should my script for a chintzy little 2 minute video have been only 2 pages long? No. Fuck that. Like I said: die hard page counters are pinheads.

Common wisdom sez a feature film script should be no more than 110-120 pages. Ever read a Hitchcock script? 250-300 pages. Of course, his scripts were detailed blueprints of exactly what he wanted to shoot and he was a freakin’ genius – and I’m no Hitchcock – but I do know if you toss one of those on an executive’s desk these days – they’ll plotz.

But, when you’re doing shoots that involve puppets and blue screen other stuff like that, and you don’t have a creative team on hand to figure shit out for you, and you don’t have a budget or the time to stand around with your thumbs up your arses trying to figure out the best way to accomplish the finished visual effect you desire – that’s when you simply write it down and say: “Shoot the fucker like that.”

Works for me – when I take the time to back shit up.

The next installment of this drivel will focus on how much crap I keep in my head as I work. That’ll be fun.

Cheers.

P. S. My friends and colleagues are, thankfully, telling me things like: “You know, if you ever need any help – all you gotta do is just call.”. I know! I appreciate that SO much. And YES – I will call. But first there’s still a couple of other things I need to mess around with before we move into a more collaborative frame of reference. Bear with me. And thank you so much for your support. :)

Making A Ruffus Promo

Wednesday, August 18th, 2010

Thought I’d take a stab at explaining what it is I do when I’m busy not answering the phone.

I just posted a promo for another episode of Ruffus The Dog. It’s a simple little thing, and was fun to do but there are a number of interesting layers to the process of creating it that I’d like to detail here.

First – the promo itself:

Short, sweet, cute – all the stuff it needs to be.

It was shot in front of a blue screen cloth in my home – in my dining room in fact. An easy three light set-up illuminated the backdrop and the characters. My son operated the camera and helped set up the lights and backdrop. The whole thing took about an hour to shoot. It would have gone faster but I was lying on the floor instead of standing – which is preferred for better puppetry – and since I’m an old fat fuck now and no longer as adept as I once was at working a character whilst doing sit-ups there are some rough edges to the performances. Too fucking bad – it’s good enough.

Here’s a picture of an old guy with a puppet:

rtd_old_fuck

The background image of the bookshop was culled from one of the existing Ruffus episodes. I performed both Ruffus and the Sheep which was a wee bit of a challenge because there wasn’t any audio playback or fancy-schmancy method of replaying the previous take with one character while shooting the next take with the second character – I just had to wing it and hope I could be consistent with my timing of the lines.

I did okay but I think the overall pace is a bit sluggish. Next time: faster and funnier.

This, as you saw in the above clip, is what the composited image of the two characters together looks like:

rtd_layers_composite

The separate blue screen passes with Ruffus and the Sheep were then cut and composited together in Final Cut Pro on my laptop. For the compositing I used the DVMatte Pro plug-in from DVGarage – it does way more cool things than I could be bothered playing with, I just slapped it on and gave it a little light-wrap and that was it. Easy peasy.

Of course, because I was in a hurry, I fucked up the lighting. There was not only a lot of blue spill on the laptop in the scene – which made it half-disappear during the composite – there was also an uncovered window in the room I was shooting in which had the shifting light of a partly cloudy day playing on everything. That’s sort of light-shifting shit can be fine with characters that are moving around but it made the foreground elements of the computer and the books look pretty dodgy as they went light and dark throughout the scene – so I did a quick Photoshop paste-up job on a frame grab of just the foreground and slapped that on as an extra layer to keep everything solid.

Oh – and the Sheep footage was all shot as closeups so it had to be reduced in size to match with the shots where the Sheep and Ruffus appear together. Fussy little stuff.

Here’s an image showing the separate layers that went into making the final image.

rtd_layers_demo

All this dicking around in post took only three hours to complete but it took a dog’s age to export as a Quicktime movie (I’m only using an old, original, MacBook Pro for this stuff and it’s pretty much had the shit kicked out of it over the years, some of the keys are missing, the case is corroded & scratched, there’s some kind of weird scum on the screen and the whole thing smells like an old book made from recycled underwear – just so you know) and then, naturally, I found some minor mistakes and had to fix them and re-render the whole thing. That actually happened twice. Eventually it was finished and good enough to post.

The audio sucks but I was in a hurry and it’ll be better next time.

I know my professional colleagues and friends in the industry are probably shaking their heads and muttering: “Mills, Mills, Mills – what the fuck are you doing this for?” but I’m actually enjoying the DIY aspect of the work. It’s very much like the days of my youth I spent in my friend Bryan’s garage making crappy little stop-motion Super-8 films with our tripod strapped to the lawn mower as a dolly. It sucked, sure, but it worked.

Will these little promos help drive traffic to the Ruffus web site? I have no metrics on this at the moment so I have no fucking clue – but, as I said, they are fun way to play around with easily accessible tech and it’s a proving ground for other material I want to shoot with Ruffus and the other characters, expanding this material beyond the existing episodes.

We shall see.

In time I’ll be collecting a bunch of interviews and photos to showcase how the original Ruffus episodes were created – which is more for use on the Ruffus web site than just for this blog but I’ll be sure to share a bunch of that here too.

Let me know what you think.

Cheers.

P. S. Be sure to check out the full episode of Little Red Riding Hood on the Ruffus The Dog web site.

UPDATE: Since this post I’ve jammed another episode online for the Ruffus web site. It’s Little Bo Peep and it features a gloriously heart rending song – sung by a dog – in a dress. Go figure.

Ruffus The Dog – “Around The World In 80 Days”

Thursday, August 5th, 2010

The latest episode of Ruffus The Dog to be posted online is our own version of “Around The World In 80 Days”.

It was scripted by Bill Murtagh and contains some seriously silly shit. I recall when we made it we couldn’t stop giggling over the audaciousness of our trying to cram Jules Verne’s classic adventure tale into a mere 14 minutes of screen time.

Here’s the short promo video for the full show:

This episode also features what is perhaps my most favourite JP Houston song from the entire series: “Ol’ Blue Soul”.

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<a href="http://music.ruffusthedog.net/track/ol-blue-soul">Ol&#8217; Blue Soul by Ruffus The Dog</a>

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The process of posting the full episodes along with these little promo spots is becoming more of a manageable routine. It’s gratifying to see the viewer numbers slowly rise – as I have more info on our Blip.tv stats I’ll be sure to share it with you here.

We’re also rolling out the show in other venues – like our own YouTube channel, an iTunes podcast, along with the de rigeur Facebook fan page and Twitter account – on the understanding that wide exposure is the best possible promotion on the internet.

Over the coming weeks I’m preparing a series of interviews with some of the folks involved in the original production and will be sharing those here and on the Ruffus web site too. Eventually all those interviews will be cut together with other footage to form a Making Of documentary as part of the DVD extras.

Something else I’m going to try – like I don’t already have enough to do – is to shoot some new short spots with Ruffus and some of the other characters. Just little 1 to 2 minute bits based on nursery rhymes, jokes, poems and any emails or comments we’ve been receiving. Extra bits – you know – for the kids.

The writing of the storybooks continues as well as some other plans for the online existence of Ruffus. One step at a time. Tell yer friends.

Cheers.