Posts Tagged ‘film’
Gratitude – Louie Schwartzberg TEDxSF
Saturday, October 1st, 20115-25-77
Saturday, July 2nd, 2011This film 5-25-77 is a small indie flick that so closely emulates a lot of my own teen years it raises the hair on my neck. I blogged about it years ago. To my knowledge it has yet to be released. Now titled just 77 it had at least one showing at some Star Wars anniversary festival. But when WHEN is it going to be released for public consumption? Fuck.
Labyrinth – 25 Years
Thursday, June 30th, 2011I don’t rattle on here much about past work I’ve done – not too much anyway – but since it’s the 25th anniversary of the film Labyrinth I thought I’d relent with a wee post about my work on it. I’m also including parts of the behind the scenes documentary called: Inside The Labyrinth so you can see the bits I was involved with.
I was working on Fraggle Rock for Jim Henson, playing Junior Gorg and various other minor puppet characters, and on this one day I was portraying a large Blob that was eating Doozers. It was a hellish costume that required me to roll around inside this small, airless foam sphere. During a break in the shoot I was sitting on the floor – half in and half out of the costume – when Jim asked me: “How tall are you?” I responded: “Right now? About three feet. Why?” That got a laugh from Jim and then he mumbled something about working on a film in London. I did my best not to shit myself – I still had scenes to do inside that horrible costume – and let him know as calm as I could that I would indeed be interested in working for him.
At around the 6:20 mark is the section where they show the Red Riding Goblin with me working out and goofing around in the costume. The concept for the costumes was great but they were very painful to be in for extended periods of time.
I was 28 years old, a skinny, arrogant, ignorant mime with a bit of talent for puppetry and I was in the UK working for Henson. Yowzah! I spent over six months in England – living in Hampstead and working in Elstree. The people I worked with were amazing and fast friendships were built there. I was terribly homesick the entire time and when I was offered further work by Frank Oz on Little Shop Of Horrors I declined and returned to Toronto.
The resulting chronic back pain I could do without. The damage to my right hip when the Ludo harness failed while being lifted up into the tower still gives me trouble. The lung infection I developed while there got worse after my return and forced me to miss the final few episodes of Fraggle. But holy fucking hell – it was frickin’ Labyrinth, baby!
Around the 3:30 mark you can see me and Ron Muek working out the kinks in the Ludo costume.
What I learned on Labyrinth as a performer and as a filmmaker was immeasurably useful for the rest of my career. The opportunity to play with the elite of performers and animatronic designers and builders is one I cherish.
Thanks Jim.
Orson Welles As Falstaff
Wednesday, May 4th, 2011The Atlantic has a post on the upcoming 70th anniversary of Citizen Kane which is worth a read. As these things happen, I find one thing and then stumble through a few rabbit holes of idly searching for related stuff and then come up with a few nifty things.
Here’s Orson Welles as he appeared on the Dean Martin Show in 1968. Not only is the venue unlikely for a portrayal of a Shakespearean character but also the way in which it is conducted, with Welles (arguably one of the best raconteurs ever) describing the character of Falstaff as he takes his time applying the makeup, reveals this to be something we’d never see on the air today, certainly not on US primetime anyway – and reinforces the view expressed in D.B. Grady‘s Atlantic article that Welles has always, and will continue to be, a revered artist and personage.
Grady also mentions the best known of Welles’ unfinished films (of which there are, sadly, too many) entitled: The Other Side Of The Wind. Shot between 1972 and 1976, it’s still caught up legal battles over who owns the rights but everyone keeps hoping Peter Bogdanovitch – whom Welles chose as the one for the task – will get his chance to complete the edit according to Welles’ notes and we might once and for all be able to see the finished work.
In the meantime, here’s a brief clip from the film which shows Welles at his innovative best – over 40 years ago.
That, even by today’s standards, is fucking awesome.
Cheers.
Sidney Lumet – R.I.P.
Saturday, April 9th, 2011Sidney Lumet, one of the best directors ever of American cinema, has died – and we are all poorer for this loss.
I had the good fortune to meet him, briefly, during the shooting of Equus but never worked with him. He didn’t do a lot of puppets. But the films and early broadcast dramas he crafted for us certainly made an impact upon me and the way I view movies and storytelling.
Here’s just a taste of his work:
Thank you, Mr. Lumet.
Everything Is A Remix
Thursday, February 3rd, 2011Found this over at Gizmodo but the actual site to visit is everythingisaremix.info. This is part 2 of Everything Is A Remix an extraordinarily well done 4 part critique of remix culture crafted by filmmaker Kirby Ferguson.
With deft, revealing editing and incisive commentary he delves deep into what it means for all of us as we proceed from our past to our future. Recognizing where we came from is essential to knowing where we are going. Ferguson’s work in this regard is essential. Watch it. Share it. Reward it.
Enjoy.
Cheers.
P. S. Keep watching after the credits for a great addendum and a message from Kirby Ferguson himself.
Happy July 4th – Jimi Hendrix Plays The Star Spangled Banner At Woodstock (1969)
Monday, July 5th, 2010It’s Jimi.
Nuff said.
Happy Independence Day America.
Cheers.
Kubrick
Tuesday, April 27th, 2010It starts slow but it’s worth the wait. It’s from bennetmedia and it’s a montage of Kubrick films.
Film may be a dying industry but Kubrick will forever be a genius.
So there.
The Kisses, The Kisses
Thursday, September 3rd, 2009I watched Giuseppe Tornatore’s Cinema Paradiso – again – with my wife and son tonight. I love that film and it never fails to reduce me to tears at the very end.
This film is a love letter to cinema and to the passions which drive our lives.
If you haven’t yet seen the film don’t play this video. Go find the movie and watch it. If you have seen the film – this is the very end sequence – enjoy.
Cheers.
It's going to be more of a personal news aggregator with a featured video blog from yours truly. We'll see how long that lasts. So bear with me - thanks.