Posts Tagged ‘cbc’

Wordstock, Foodstock, Taking Stock

Saturday, October 22nd, 2011

I’ve been meaning to blog about these things for a while now and it kept getting put off. This is just a recounting of some of the things I did recently and not-so-recently.

First up was Wordstock, a festival in Collingwood that celebrates the written word. I was invited by Janet Fairbridge (a friend and colleague from my CBC days) who, in concert with Silann Kaduc, produced their Off The Page cabaret night. It was a blast!

Sean Cullen hosted the event which included readings from Lee Maracle, music from John Somosi and a great band called Snack!, the Toronto Poetry Slam Team, and in the middle of it all was Césan d’Ornellas Levine painting up a storm. Césan’s finished canvas was auctioned off at the end of the night with the proceeds going to support the Wordstock Festival.

I was there as Ruffus and got to engage in some wonderfully silly banter with Cullen before giving the crowd a sneak peek at some clips from our Christmas Carol. Sean is always hilarious and he had me snorking into my microphone or hooting loudly from the back of the room throughout the night.

The whole thing was a lot of fun and I got to meet up with a lot of great people and later at a party Stuart Ross and I had the opportunity to reminisce about the late bp nichol, whom I had known from my days on Fraggle Rock.

So thank you, Janet and Silann for including me in the festivities.

The other event I attended recently was Foodstock, organized by Chef Michael Stadtlander and a host of about 100 other great chefs from across Canada in support of the efforts to stop th edevelopment of a mega-quarry that threatens to destroy 2,316 acres of prime agricultural land in Dufferin County.

What better way to draw the support of the people than to feed them.

The lines of hungry activist citizens wound through the trees of this beautiful landscape and we indulged in a seemingly endless stream of delicious cuisine based on the foods grown and raised locally.

We also met up with a bunch of friends we hadn’t seen in a while.

Good food and a good cause. And a shit load of mud.

The taking stock part of this blog post is my lack of attendance at the ongoing #OccupyTO action which has taken up residence in St. James park and continues to grow. I haven’t been wholly neglectful of our local Occupy protests, I just haven’t shown up in person – yet. I’ve tweeted my ass off (for what that’s worth) about #occupyTO and #ourwallstreet and I WILL be getting out there soon. This is part of a much larger global movement that holds the promise to change our world for the better.

Yeah right. Words. Don’t mean a thing without action.

Sometimes just showing up is the support that’s needed. We can write our rage in tweets and blogs and clever signs but in the end it is physical presence that defines any movement. You gotta show up.

And that’s what I’ll be doing. Not camping out – I’m too old and creaky and selfish to do that – but I’ll give whatever material and moral support I can. Small potatoes for some but for an agoraphobic curmudgeon it’s a relatively big deal.

So, whatever changes you want to see in the world you have to become that change yourself. Get out there. Make a sign. Make a noise. Put on a show. Show up.

And now – speaking of stock – I gotta get my ass back into my own kitchen and finish making some soup.

Cheers.

P. S. Another thing we did a little while back was take part in one of the Nuit Blanche works.

It was called Ride The Rocket and was put together by Kurt Firla and his colleagues.

My wife Karen and I provided and performed a bunch of puppet characters for part of their immersive and surreal streetcar ride.

It was easily the best presentation of the entire festival and that would have been true without our involvement but it was certainly a pantload of fun to play with Kurt and his team and then on the night ride the finished work.

CBC + iCopyright = Bullshit

Sunday, January 31st, 2010

cbc_copyright

Cory Doctorow posted on the BoingBoing blog about Cameron McMaster’s very detailed post on how the Canadian Broadcasting Corporation has signed up with iCopyright.

iCopyright, the American copyright bounty hunters used by the Associated Press, to offer ridiculous licenses for the quotation of CBC articles on the web (these are the same jokers who sell you a “license” to quote 5 words from the AP).

iCopyright offers “licenses” to use taxpayer-funded CBC articles on terms that read like a bizarre joke. You have to pay by the month to include the article on your website (apparently no partial quotation is offered, only the whole thing, which makes traditional Internet commentary very difficult!). And you have to agree not to criticize the CBC, the subject of the article, or its author.

As Doctorow points out, the content of the CBC is funded by taxpayers and yet we are expected to pay for the right to quote from that content.

And as McMaster says in his post:

Seriously, this is really screwed up. Our public broadcaster is using an American company that follows American laws of Fair Use (and probably not the most liberal interpretations of it) to control its content and also inciting everyone to turn each other in and for everyone be on the look out for digital rights bounty hunters? It’s a good thing we’re in Canada where we don’t have the DMCA and we have a Supreme Court ruling that stops Big Media from getting information about our IPs from ISPs.

Because even if you share the story, even if you print it, you could be tracked down and fined.

Bullshit.

That would mean I couldn’t quote Martin Morrow’s appreciation of the recently departed J. D. Salinger where he said:

The word “rebel” is so overused and misused in our culture that it seems pat and tired to apply it to J.D. Salinger. Yet, I can think of few prominent contemporary arts figures who actually deserve that label as much as he did.

Nor would I be able to include this portion from Charlene Sadlers piece on the use of iPhone apps by toddlers, where she said:

When Alexandra Samuel’s two-year-old first sat down to play a video game on her iPhone, the Vancouver mom was more worried about his impact on the device than the effect it could have on him.

Samuel was surprised by what happened next.

And Bob MacDonald’s commentary on the moth-balling of NASA’s shuttle program, where he says:

Back in the 70s, they were promised to be the cheap way to space, but after two of them exploded in flight, taking 14 lives, and after countless retrofits and rebuilds, every flight of the shuttle now costs about $1.5 billion. Granted, they are the most complex machines to ever fly and have accomplished amazing feats in space, but they demonstrate how NASA has turned into a cumbersome organization that spends a lot of money to go nowhere. No private transportation company could ever operate that way.

- could not be referenced without permission – and payment. No partial quotes are allowed, no excerpts – the entire article has to be paid for – by the month.

I include these quotes for the purpose of showing just how absurd and insulting is this most recent clusterfuck of CBC policy.

The pinheads at CBC responsible for this decision must have thought themselves to be extraordinarily clever when in fact they have shown themselves to be pitifully ignorant not only of the workings of the web, the basics of fair-dealing and fair-use and the differences between U.S. and Canadian copyright law – but also the very nature of the public trust which they are charged with managing on behalf of the citizens of Canada.

More from McMaster’s blog:

Thanks CBC! You serve your public well by outsourcing your DRM enforcement to an American company, which allows for money that could be invested in a Canadian company to be spent abroad. This company creates an atmosphere of self-censorship and fear. Because most Canadians don’t know the difference between Canadian copyright law and American, the users of your website, mainly Canadians, will be afraid to do anything – the digital rights bounty police will come after them. This company that limits non digital uses of your information and also disables the sharing of information, and most likely, subject your website viewers to all sorts of DRM tracking devices. Way to foster a public sphere!

Hey, CBC pinheads! Fuck you. How much is iCopyright going to charge me for the quotes in this blog? How much will I be asked to pay for quoting a video or audio snippet?

McMaster included a few page samples from the CBC website where they explain how (and for how much) you can license the right to use the content your tax dollars have already for. Here’s one:

You think I’m going to pay the CBC for the right to include the quotes above in this blog post? No. Duh. What do you think my response is going to be when any request for payment is made? Yeah – you got it. Fuck you.

By the way – iCopyright offers a reward of $1,000,000 for reported piracy. You want to report me? Fuck you too.

I don’t know what makes me more furious, the idiotic attempts of old media carpetbagger shysters selling their bullshit schemes to attach a meter to every friggin’ slice of information we use in conversation – or the dirt stupid idiots at the CBC who actually thought this was a good idea. I really hope more people make noise about this to not just embarrass the CBC but to also continue to insist that publicly funded works belong to the public.

Want to add your voice?

Join the Canadians against CBC’s iCopyright DRM Facebook group.

You can also go to the CBC Contact page and tell ‘em what you think.

The CBC would do well to take a lesson from the National Film Board who have been putting their works online – for free – for everyone to access.

As it sez in the CBC article on the subject:

The online screening room was created as part of a $1.3-million project to digitize the NFB’s collection of historic films.

“This is part of our ongoing response to the digital revolution,” NFB chair Tom Perlmutter said in an online news conference on Wednesday.

The NFB, which restructured its film programs over the past 18 months to free up resources for the digital project, plans to put 10 new films a month online.

That’s how it should be. Instead the CBC is acting in a crass penny-ante manner by signing up with a U.S. based group of extortionists, attempting to charge people a fee for the right to quote from articles. It is an ill-advised and ignorant scheme which reeks of U.S. copyright policy snake-oil that CBC pinheads have bought and swallowed. You dumb fucks.

CBC – fuck off.

Cheers.

P. S. Cameron McMaster is far more level-headed than I and he has posted a very cogent response to the groundswell of outrage about all this. You can read his post here and follow his thoughtful advice on what else we can do.

And whilst I do just that I shall also continue to tell the CBC to fuck off.

Cameron McMaster has responded in the comments and suggested a post by The Torontoist which includes a response from the CBC. Good reading.

bpNichol’s First Screening

Wednesday, October 28th, 2009

It was my distinct pleasure to have worked so very briefly with the gentle god of poetry, bpNichol who – when he wasn’t tearing up the soundscape with the Four Horsemen – wrote scripts for the Jim Henson Muppet series Fraggle Rock. That’s where I met bp and discovered his work.

Today I fell down a bit of a nostalgic rabbit hole when I stumbled across a little thing called Virtual ][. It's an emulator for the Mac that allows you to run old Apple II programs. I was immediately flung back to 1982, hiding up in Stephen Finney's set decorating offices on the second floor of VTR Studios, hunched over the awesome machine that was the Apple IIe featured on the show in Doc's workshop. When it wasn't needed on set the computer stayed in Stephen's room. When I wasn't needed on set - and even sometimes when I was - I was upstairs in Stephen's room.

Rediscovering games like Aztec and the wonderfully accessible Applesoft Basic programming language was a real treat for me today and I have already wasted far too much time playing Galaxians too.

But then I remembered bp.

After bp passed away Jerry Juhl, the late head writer for Henson, lent me his copy of a stunning little work that bp had crafted, in Basic, for the Apple II computer back in 1984. It was comprised of visual and verbal puns, animated across the screen to create further layers of meaning and emotional context. Like all of bp's work it was deceptively simple, slyly powerful and utterly charming to behold. I still have my bootlegged copy of that disk but I no longer have a drive from which to read it.

Obsessed, I conducted a search online to see if it could be found anywhere. I love the internet. It's called: bpNichol's First Screening.

Fred and Ginger is my favourite.

bp was always fascinated by language and how it could move people and shift and change meaning and how even when contained upon a page or spoken aloud or captured on a computer disk it always remained as something capable of morphing and transforming itself into delightfully unexpected treasures. From his notes included with the disk:

As ever, new technology opens up new formal problems, and the problems of babel raise themselves all over again in the field of computer languages and operating systems. Thus the fact that this disk is only available in an Applesoft Basic version (the only language I know at the moment) precisely because translation is involved in moving it out further. But that inherent problem doesn’t take away from the fact that computers & computer languages also open up new ways of expressing old contents, of revivifying them. One is in a position to make it new.

Many thanks to Jim Andrews, Geof Huth, Lionel Kearns, Marko Niemi and Dan Waber for their work in keeping this work alive, making it new, so others can continue to discover and enjoy it. Go to their site where you can find out more about the journey First Screening has taken from its inception as a work in Applesoft Basic to its presence on the web today.

And if you don’t know bp’s work please visit his site and immerse yourself in his rich and touching use of language.

Now, if you’ll excuse me, I have to get back to the next level of Aztec.

Cheers.

The Twitter Re-evolution

Friday, June 19th, 2009

UPDATE: - I added a relevant TED talk at the bottom of this post.

The past several days have seen great upheaval in Iranian society and this has drawn the attention of the world. There have already been many blogs, articles, cartoons and op-eds posted about the protests, the crackdowns and the innovative use of internet social media in response to the clumsy and blatant subversion of an already flawed democratic process in Iran. I was among those online, within the Twitter community, watching and commenting in real time as these events unfolded – astonished and inspired by the level of participation in helping people to continue to communicate their experiences of the situation in the streets of Iran, to travel safely and to find relative anonymity and escape from immediate persecution.

The major news media, complacent with their level of professionalism and their entrenched foreign bureaus remained blind and mute for an extraordinary length of time whilst the online community rallied to provide the means to evade censorship, pass along reports, photos & videos, facilitate communication amongst allied groups and demonstrate a disruptive solidarity by not only turning their Twitter avatars green (the emblematic colour of the protest movement) but by also altering their Twitter location & time-zone to create a mass of Twitter traffic from Tehran in an effort to dilute and confuse the efforts of the authorities to track down vocal dissidents.

Some of it was, admittedly, childish stuff. It was fun and it was thrilling for the most part – and downright scary and tragic from time to time as reports came in of beatings, shootings, arson and thuggery. The overall tone within the Twitter community was one of somber determination to keep the lines of communication open. Those efforts continue as I write these words.

iran tank twitter

Last night CBC television aired a report on the events and, as the major news media so often do, characterized the protests as a battle between candidates – carving out the tired icons of good guy and bad guy in their dramatic scenario that attempted to pass as news. In doing so they entirely missed the point of what the protests are fundamentally about.

Process.

Regardless of which candidate may be favoured by one group or another the major source of discontent within the protesting Iranian citizenry is how the results of their votes were ignored and a winner was decreed. The process of voting – regardless of how skewed it may have been by virtue of a ruling theocracy – was negated. Therein lies the justified fury of the public. It’s not one group getting snippy cuz they lost the election – it’s a pantload of people getting outraged because there was no fucking election at all.

We live in an age of ever increasing transparency. You can’t get away with shit anymore. Want to abuse your authority and taze someone to death? Okay – just be prepared to watch your sorry guilty ass doing it over and over again for all the world to see for all time on YouTube. You want to run a dictatorship? Go ahead – call it that and carry on about your business – lots of big companies will continue to invest in you – and eventually, inevitably, you’ll be eaten alive by those you oppress. You want to call it a democracy and get folks involved? Great! Just don’t be surprized at how pissed off they get when you dick with the results.

It was first shouted during the 1968 Democratic National Convention protests & police riot but it has never been so true as now: “The whole world is watching.”

We must always remember that the internet isn’t about LOLCats and funny videos and porn and gossip and pirated music & movies – well, it is all that – and more. The internet is communication; the ability to see, hear, speak and act on a global scale instantaneously. The repercussions of that ability are only just now being felt in the way it is dissolving old media business models, triggering new economies, crafting new cultural works and entirely new cultures and, perhaps most importantly, forever altering how politics is conducted.

I’m under no illusions that Twitter or Google are some sort of progressive saving force for humanity. They’re not. They’re just part of a larger and growing process we are experiencing that is the direct result of increased communication amongst all people.

The idea of democracy is still relatively new to most of the world – hell, America is still trying to figure out how to make that one actually work. It isn’t something that can be imposed or imported from one country or culture to another. It is, at it’s most basic level, the will of the people. When people have the ability to communicate freely, democracy – true democracy – flourishes. When people have the ability to communicate and act freely, imposed authority will be challenged.

Many wags will refer to this time as being The Twitter Revolution. Believe me, this is just the tip of the iceberg. While revolutions may occur around this world as our abilities to listen, speak and move as one continues to increase, a more important singular event is emerging and we will come to recognize this slim period of time not as a revolution but as part of our evolution.

All part of the process of growing up.

Growing pains will, without doubt, be experienced. The child cannot be commanded to stay a child and once youth finds a voice it will speak and demand to be heard. And then we will put away our childish things.

And that’s when the process really gets interesting.

Cheers.

viva la evolucion


P. S.
– If you want to participate more directly than just eavesdropping on Twiiter conversations you should check out iran.whyweprotest.net.

UPDATE: Have a listen to Clay Shirky speaking at TED just this past May on how Facebook, Twitter and TXTs help citizens in repressive regimes to report on real news, bypassing censors (however briefly). The end of top-down control of news is changing the nature of politics.

Almost apropos of something, every time I hear someone speak intelligently about the net I keep getting reminded of McLuhan and his observation that old media becomes the content of new media. Fascinating.

Neil Gaiman on Q TV

Sunday, April 12th, 2009

All Billy Bob bullshit aside this Neil Gaiman interview on CBC Radio’s Q with Jian Gomeshi is a terrific talk about Gaiman and his work – right up to the very end where he sums up our adult needs for fairy tales. Great stuff.

Cheers.

The Militarization Of CyberSpace

Tuesday, March 31st, 2009

Great post in BoingBoing today from Cory Doctorow about CBC Radio’s Search Engine interview with the folks at the University of Toronto’s CitizenLab regarding their uncovering of a global hacker spy-ring. As Doctorow points out, the major focus of the interview – and the most compelling – is how this “signals a turning point in the ongoing militarization of cyberspace, and whether this demands a comparable peace movement for the Internet.

You can find the full interview at the CBC Search Engine site or just listen right here:

I’ve pointed out before on this blog the fucktard antics of the U.S. Air Force in their attempt to achieve dominance (their words) in cyberspace and how the Pentagon has classified the internet not just a potential theatre of war but as a potential enemy – the internet itself as an enemy which must be controlled and, if necessary, defeated.

Whatever those dicks are smoking I want a pound of the other stuff.

I’m not adverse to being defended against those who would seek to do us, or anyone, harm – but I’ll be damned if I’ll agree to live in a dictatorial police state in order to have that protection.

The genie is not going back in the bottle. The net isn’t just the next wave of communications toys destined to fall away to the back shelves of an antique shop along with the old radios and television sets. The net is becoming our Main Street. It is where we are going to be living. Yeah, sure, the real world will carry on, for better or worse, under our inept efforts to manage and care for this garden – but the net will form a large chunk of where and how we live our lives. The net will be where we define ourselves as human beings.

Look around. Look on the street where you live. How would you feel about it being a battleground? A lot of folks in the world already live that hellish physical reality. Can you imagine troops on your street telling you where you can and can’t go? Imagine being followed, listened in on and told what you can and cannot say or hear. Imagine speaking to a friend and seeing them be whisked off the street and taken away without explanation. It happens already – all over the world – even in our neck of the woods.

That’s the digital equivalent we are speaking of. This same shit is happening in cyberspace, where there are no rules of international law governing the behaviour of governments and corporations for the protection of the unwashed masses known sometimes as cattle, sheep, peasants or – perhaps more quaintly – people.

If we are intent upon reclaiming the rule of law in our world we need to include cyberspace in that effort. A peace movement for the internet? Sign me up.

Pay attention. Make noise. Don’t be afraid – be pissed off.

Cheers.