Posts Tagged ‘animation’

Every Ray Harryhausen Stop-Motion Monster EVAR

Wednesday, June 29th, 2011

Found this on BoingBoing – it is chock full of awesomesauce. I grew up on the films of Ray Harryhausen and worked with my friend Bryan in his mother’s garage (and in the back room of our art teacher, Paul Jones) to make our own dubious works of art. Like so many before and after me, a large part of my aesthetic has been informed, coloured and directed by Harryhausen’s films.

Can you name them all? I can. Along with the cast, the crews and an endless litany of minutia. I’ve watched them at 3 in the morning on a small screen black and white TV with shabby reception from Barrie – I’ve luxuriated in theatres as their light has basked me with its Dynamation goodness – and I own several copies of each on various media (including some on flip books for cryin’ out loud) – and I never tire of tasting with all my senses the works of Mr. Harryhausen.

My Missus, through her work with Cuppa Coffee Animation, had the opportunity to sculpt a stop-motion figure of Harryhausen himself which was presented to him when he came to Toronto to promote his book and gave a talk. I had the chance to meet him then – but stayed at the back of the room – nervous and fearful for I do not know what – but happy to just be where I was, always was, in the dim shadows observing the show before me.

Thank you, Ray.

Cheers.

P. S. You can find our Ruffus The Dog homage to Ray Harryhausen in the Sinbad episodes here and here. Enjoy!

Jack Christie Talks To The Board

Monday, June 6th, 2011

Jack Christie – you are fucking awesome.

Cory Doctorow posted on BoingBoing about how Jack Christie (a 12th grade student at Donald A. Wilson Secondary School in Whitby, Ontario) has been suspended indefinitely for posting his animated videos on YouTube. Christie was originally given a one day suspension and ordered by the Principal, Warren Palmer to immediately remove the videos. Jack Christie refused and was then given the indefinite suspension. When Gavin Russell (prime minister of the student council) and others took up a petition to get Christie back in school they were told to stop and threatened with punishment.

Way to go, Mr. Palmer.

That’s a really unique way of teaching the fundamentals of democratic rights and freedoms to the youth of our country. But, of course, that’s not really what you were doing, was it? And, of course, they don’t really need to be taught these things, do they? No.

As amply demonstrated in Jack Christie’s rebuttal to the school board, it is the staff of Donald A. Wilson Secondary School (in particular Mr. Palmer) and the Durham District School Board that need to be taught the basics of our Charter of Rights and Freedoms.

Take it away, Jack:

To be fair – not all school administrators are as thick as Mr. Wilson. However, the pinheads who do exist in positions of authority within our school system need to remember they are running (not ruling) institutions of learning – not prisons. Students are citizens. If a person in such a position of power is incapable of seeing the inappropriateness of their response to a situation and then wield their power further in a blind insistence of their authority – it becomes obvious that such a person is not worthy of maintaining that position.

The principal of Donald A. Wilson Secondary School – and the Durham District School Board – owe Jack Christie a very humble and public apology.

Shame on you, Mr. Palmer.

Jack Christie – you fucking rock.

Never apologize. Never retract. Never back down.

Cheers.

P. S. I especially liked the part with: “Look at the fucking puppety puppet!” – but maybe that’s just me.

P. P. S. You can read further coverage by the Globe & Mail here – where the comments are priceless. And there’s a report over at ParentCentral with a great photo from one of Christie’s videos where he suggests Sen. Joe Leiberman has sexual relations with goats.

Wouldn’t surprize me at all.

The Story Of Stop Motion Animation

Wednesday, November 10th, 2010

When I was a kid – the age of my son, actually – I and my best friend Bryan would make elaborate stop-motion animated films on Super 8 film in his mother’s garage and later in the back room office of our art teacher, Paul Jones. Massively elaborate productions – none of which, alas, have survived.

We were addicted to everything and anything related to stop motion, most notably the works of Willis O’Brien and Ray Harryhausen but also Georges Melies, George Pal, Norman MacLaren and others. Each new issue of Forrest J. Ackerman’s Famous Monsters Of Filmland would be devoured for any clues as to technique and process which would then studiously attempt to emulate with our feeble collection of tools.

All of this was long before I became a performer in theatre, television and film and a great many decades prior to being able to once again hold the reigns of my own productions (albeit in larger studios than Mrs. McCormick’s garage) and manipulate small figures to do my bidding and tell nifty stories.

What goes around comes around, I guess.

My wife, who is a puppeteer but also an artist, designer and animator, is currently doing a lot of work for a prominent stop-motion animation company here in Toronto. She sculpted a caricature animation figure of Harryhausen that was given to him as a gift when he visited town promoting his book. I was there but too shy to thank him for my life.

All of my studies and work have in one way or another always been linked or related to this form; from mime, commedia del arté, clowning, acrobatics, dance, puppetry, special visual effects design, CG animation, script writing, directing, you name it – all except being a plongeur at the Gavroche Gourmand or cooking burgers at the Brunswick House – all these varied gigs were all connected with the means to tell stories through the visual and physical actions of characters.

Today, over at Flavorwire, I stumbled across Chloe Fleury‘s marvellous animated short which conveys the history and attendant magic of the art of stop-motion animation. It is very sweet.

Enjoy.

My own last effort at true stop-motion was this brief intro I submitted for Ze Frank’s The Show:

I love stop-motion.

Cheers.

Ruffus The Dog “Christmas Carol” Update

Monday, November 1st, 2010

Hey there!

I haven’t posted a lot here lately because I’ve been allegedly busy writing the script for the Ruffus The Dog version of “A Christmas Carol”. It was a bitch to finish partly because I’m lazy slob and also because I ignored the advice contained in my own notes and found myself in the trap of trying to remain true to Dicken’s original text.

What was I thinking?

In the original Ruffus episodes we tackled a lot of different kinds of stories, including Dr. Jeykll & Mr. Hyde, Around The World In 80 Days and The Three Musketeers as well as more common fairy tales like The Emperor’s New Clothes, Tom Thumb and The Three Bears. Rarely, if ever, did we ever use any of the original text from those stories. Sometimes we would crib a line or two from a famous movie version – more often we’d stick in some cheesy vaudville gags – but we always managed to find a way to adhere to the spirit of the stories without letting ourselves get distanced from the unique world we had created for Ruffus The Dog.

I watched every film version of “A Christmas Carol” I could find and while I wanted to emulate the Alistair Sim version, entitled “Scrooge”, because it’s my absolute favourite – I knew I couldn’t just go ahead and copy it for both artistic and legal reasons. The words of Charles Dickens in that slender volume of a holiday ghost story are SO tight and nuanced – as opposed to his usually penny-a-word serialized novel ramblings – that it became even more difficult for me to cut the tale down to the bone and still leave enough room for our deliberately stupid puppet gags. At one point I had a draft that was 113 pages – that’s a fucking feature film!

Knowing we can’t do a feature for $8,500 + a pantload of goodwill meant I had to stop wasting valuable time, drag my head out of my sorry arse and get down to business. Hack. Slash. Cut. Revise. Rearrange. Be more inclusive of other faiths. Leave room for the Pig and the Monkey and the Sheep – and find the best places to use JP Houston’s wonderful songs.

Last night – after a day of intense last-minute effort (combined with an interlude for putting zombie makeup on my son) – I finally had a working draft that we can use as the basis for our production.

Look!  Words on paper! Wheeee!

I credit Richard Williams for his half-hour animated version (which also starred Sims as the voice of Scrooge) for leading the way. While I didn’t copy his structure entirely – partly because it was a tad too abbreviated – it certainly showed me what could be safely excised and still leave the heart of the story intact — with room to spare for pigs, sheep and monkeys.

So it is written – so let it be done.

It ain’t Shakespeare. It ain’t Dickens. It’s Ruffus The Dog – and that’s what we wanted.

Now – on with the task of raising the rest of the cash and getting the team organized to meet our proposed shoot dates for the last week of November. Wait a minute – today is November 1st?

fuck

P. S. You can help contribute (if you haven’t already) by visiting our IndieGoGo web pages where we are crowd-sourcing our funding for this episode of Ruffus. Word-of-mouth is as valuable as cash – please tell everyone you know. Thanks!

What A Package Hears As It Travels Across Europe

Wednesday, September 22nd, 2010

I got this from Gizmodo:

What’s does being shipped sound like? A student at the Royal College of Art in London shoved a dictaphone inside a parcel and sent it off to Helsinki to find out.

Dictaphone Parcel from Lauri Warsta on Vimeo.

Cheers.

Big Bang Big Boom – History Of Everything

Thursday, July 8th, 2010

I found this via Gizmodo and it’s a really cool animation done by the Italian artist BLU who’s work I’ve featured here before. This is pretty much just the history of everything – animated – on walls and rooftops. Like I said: cool.

BIG BANG BIG BOOM – the new wall-painted animation by BLU from blu on Vimeo.

Speaking of cool – today is another hot day and I will be doing as little as possible while waiting for the air outside to stop feeling like the boiled anus of a dead water buffalo.

Cheers.

RSAnimate – Drive: Talk by Daniel Pink

Saturday, May 15th, 2010

The RSA (the Royal Society for the encouragement of Arts, Manufactures and Commerce) has a massive collection of thought provoking talks online, more in-depth stuff than found on TED.

Sometimes these talks are distilled by the folks at CognitiveMedia into abridged animated versions – RSAnimate – that cut to the core of the subject by adding entertaining images and text and ignoring the boring old talking head babbling at the podium from the original discourse. Good stuff. Very good stuff. Case in point: Daniel Pink‘s talk on what it is that drives us to do anything.

Enjoy.

Check out the other talks too – especially the one by Jeremy Rifkin on Empathic Civilization.

Cheers.

Thanks, Fred!

Konk’s Blog – Bugs & The Beast

Wednesday, April 14th, 2010

Kit Pasold is at it again. He’s posted another installment of Konk’s Blog featuring some fat old bastard and this time guest starring Bugs Bunny!

I kinda wish that codger had some old home movies of his past exploits slaying monsters. Maybe they’ll turn up in someone’s attic someday.

Cheers.

B-Roll: One Creative Thing A Day

Friday, April 9th, 2010

Found this over on the Makezine blog. It’s from an artist named Charlie Visnic and his site called The B-Roll: One Creative Thing A Day.

Recent projects have include Thomas Allen-inspired sci-fi pop-up book cover art, a praxinoscope made from old cigarette packs, a sculpture of a half octopus/half orca, cold cathode light painting, analog modular synth patches, interview profiles with interesting people I meet, and a random assortment of other mixed media art projects.

This one is called a “3D Zoetrope” – and while it’s not really 3D it is fucking cool.

Pretty neat, huh? In this age of the hidden magic of digital tech it’s refreshing to see analog works that thrive as much on their process as they do on their content.

I’ve always been in love with flipbooks, zoetropes, praxinoscopes and any other simple gadgetry that creates the illusion of movement and life ever since I first started drawing little airplanes in the corners of my math text book, making them swoop down and bomb the crap out of the page numbers. I like how Visnic employed the music from the record player as part of the apparatus – brilliant stuff. Someday I’ll cobble together my own old ideas for a gallery show of kinetic sculptures, photos and sketches that merges everyday mechanical objects with pathetically dumb visual gags – someday.

But right now I go draw some airplanes on a pad of post-it notes.

Cheers.

I Met The Walrus

Saturday, March 20th, 2010

From the YouTube post:

In 1969, a 14-year-old Beatle fanatic named Jerry Levitan snuck into John Lennon’s hotel room in Toronto and convinced him to do an interview. 38 years later, Levitan, director Josh Raskin and illustrators James Braithwaite and Alex Kurina have collaborated to create an animated short film using the original interview recording as the soundtrack. A spellbinding vessel for Lennon’s boundless wit and timeless message, I Met the Walrus was nominated for the 2008 Academy Award for Animated Short and won the 2009 Emmy for ‘New Approaches’ (making it the first film to win an Emmy on behalf of the internet).

Cheers.

P.S. I’ve seen this before but I heard about it again today on Twitter via the most excellent and awesome Roger Ebert and just had to share.